I ran in the Flying Pig Marathon again. I know, I know. I'm a liar.



A Configuration of Figurations
I ran in the Flying Pig Marathon again. I know, I know. I'm a liar.



At this arrival, my grandfather nearly had to stop the car to avoid hitting my eyeballs, which were glued, unblinkingly, to the road ahead. You see, in the warm months, Eastern Box Turtles would travel from the refreshing coolness of the shaded creek up to the road above, and warm themselves on the toasty asphalt in the afternoon sun. Loaded with cardboard boxes in the trunk of the car, our prize was to collect every turtle we found along the road.
If there was one small, darker black spot on the road, I'd shout with excitement and bounce up and down in my seat, and pap would gently ease the car to the side of this beautiful, country road. On a good day, we could head home with five turtles; however, even turtleless, there was never a bad day on these trips.
Once back at pap's house, I'd keep these turtles out back for the whole week we were home. Each one would be named, we'd have pretend adventures in the long grass, and my parents would acquire tomatoes and lettuce for me to feed them. On the rare occasion, pap helped me sneak the turtles into the kitchen, which was off of the back porch. As the turtles would crawl and claw their way around the linoleum, Nana would shout in surprise and frustration, and pap would just laugh and laugh at Nana's dismay at the reptilian intruders. I thought it was a gas. Pictures of this line nan and pap's refrigerator.
Then the hardest part of the trip came: we had to take the turtles home at the end of the week. My beloved companions, who I had fallen in love with so quickly and known for such a short time, had to be returned to where they came from. We loaded them into their cardboard box in the back of the impeccable road boat, and headed back out towards Sweet Route.
When pap and I had selected a beautiful spot along the side of the road, he softly pulled the car to the curb and he would carry the box for me, as the weight of five turtles at once was far too powerful for my little arms. But paps arms were very strong. The selected location was usually well shaded, quiet, and had a gentle slope down the burbling creek below.
In the beginning, I would throw a fit and cry, shout, and make a tantrum about letting my turtles go. I had become so close, and never understood why they had to go back to the woods, and found it so unfair and so unjust that my turtles had to be let go. But over the years it became easier to say goodbye, and I began to understand that they were never my turtles. Pap helped me to understand that. You can fall so deeply in love with something you've known for such little time; but to understand it's interconnectedness to the rest of the universe, beyond your love of it, allows you to say goodbye knowing it's in better hands than you could ever conceive. And with that realization, there comes a peace.
Eventually the tradition ended, as our drives out along Sweet Route yielded little to no turtles year after year, but the memory of those beautiful, warm, Spring afternoon drives is clear as the perfectly washed windshield of pap's Buick.
I will always love my grandfather.
to come and slave away for their researching professors. Every publication professes that the GRE is just one small aspect of what recruiters look at, like how a pimp may factor in the height of his newest employee's heels as just one part of the whole enchilada. So the stress was all completely unnecessary, and now I have a new batch of numbers that apparently help project what sort of intelligence I may have gleaned from sixteen years of schooling. I think in 30 seconds of conversation you can tell more than a glance at some digits; unless the digits are 666, then you shouldn't be friends with that person. And you should run. Fast.
simply has an eye for decoration and style that apparently got stabbed out of my forehead when I was a simple infant (please see childhood photo: age 3, with the extra hole in the noggin, and I'm wearing a navy blue t-shirt with black pants and brown shoes). Although she has created quite the comfortable oasis sanctuary, elements outside of her control have taken the great zen of the dwelling, slapped it around, put it in a package, and mailed it to Bali.
doing everything within my sinusy power to make it work. I'm becoming a little more accustomed to the cute furball (yes, I admit he's cute), but I still sneeze and cough pretty regularly when I visit. He is a nocturnal rocket, so the minute you lay down to sleep, he immediately wants to play invisible Twister on your chest, dives off the bed to show Michael Phelps up (not that Jasper smokes pot), and leaps from window to window constantly to investigate the oncoming intruding zombies he imagines are out there. Cute? Yes. Tolerable? No.
To layer it on more, Allison's upstairs neighbors are raging, around the clock alcoholics. Besides the fact that they're simply awkward and uncomfortable people to encounter in the hallway (picture Joe Dirt, but not charming), they create more noise than Fran Dresher laughing for three hours straight. Joe drives when they go out on the town to get sauced, and while they're away attempting to drown themselves (please see article: Economic Strategy: Drinking the
Recession Away?), their massive dog barks consistently and deeply for hours on end. It's loud, and it echoes off the buildings around us. Despite knocking on the door and leaving messages, the dog has been allowed to continue to make this noise. I'm beginning to believe he's actually been hired as a sort of of lighthouse to keep cars from crashing into the building.
We anxiously sat by the window, our breaths fogging up the glass with each exhale, as we waited and watched for the cop to arrive and for swift, merciless justice to be dealt. Within five minutes, the cruiser pulled up (our hearts beat with victory) and then drove away. Really? That was it!? Then the cruiser came by from another street this time (ah hah, getting a better angle to drive into the guys' living room), but then he just pulled away. What the crap is he doing?! Then after fifteen minutes, the cop pulled up, parked, and got out of the car.
taking theater in college, I wanted out, and didn't want to look back. Theatre was not for me - at any given time, 1% of all actors on the planet HAVE work; and of those 1%, 1% are the ones you see on film and television. I do have a dream of someday being a devoted family man, and I can't buy braces or fund a college education on that, let alone even be home for family Scattergories night.
Beyond that, what I found in theatre was a culture of promiscuity, drugs, and drama that simply did not align with my morals and how I was raised. I felt the gravitational pull into the black hole of that aspect, but luckily hit the accelerator and launched myself away from that cosmic catastrophe. Don't get me wrong, I have MANY wonderfully delightful memories from my two years in theatre - but much like a rotten orange, you only need to peel away the bright surface to reveal that things have gone sour.
here, smile now, drink from the glass." I guess it's what you call method acting - where you actually BECOME your character. You spend literal days-worth of hours getting into the mind of your character - and where you may only have 30 lines to deliver, you investigate and imagine in your head an ENTIRE backstory to make your person real. You imagine what they eat for breakfast, are they a creature of habit, what was their favorite cartoon as a kid, what was their prom night like - all this stuff you imagine, to give your "fake" person a history, and make them real. Although this has given me a REALLY great ability to understand other people now, after I had become a nazi, mentally-disturbed doctor, soldier, abusive boyfriend, and countless others - I had spent enough time in dark-people's minds that I was done.

Christmas
We parked in the shadow of the looming sanatorium, all lights out and every single window shattered to the ground. A traffic director (i.e. dude in a black hoodie and jeans) told us to wait by the one outside light of the building, which coincidentally illuminated a ferocious gargoyle that watched over the driveway. When nearly ten of us had assembled, the guide took us to a well-lit building off to the side of Waverly, flanked by a hearse.
Entering a door at the bottom of a set of concrete steps, I was shocked at what I saw: formal organization. Four rows of tables and chairs were lined up in a large room, all facing a large projector screen. Most of the seats were filled, totalling around 50 people in the room. A third of the space was taken up by Waverly merchandise - tote bags to hats - and about ten different Waverly employees, all in black, caroused around the cash register.
When everyone was seated and settled, they flipped off the lights, and began the movie. I thought to myself if I came all the way down here to watch a movie about a haunted place, SOMEONE is paying me back $40, or better jump out and scare me. But the movie was the perfect set-up. It began with an old black-and-white film actually FROM the time of the tuberculosis outbreak, which reviewed some of the prime facilities in the nation fighting the epidemic. Of course, Waverly Hills was the highlight, and the the hairs on the back of my neck began to rise as we watched real, live people walk through the rooms and halls we would soon be traversing. Well, ONCE alive.
The second video was from a '90's series called "Ghost Hunters", which I generally found eye-rolling and disappointing. It gave a general history of the building, and then followed ~six teenage girls as they attempted to spend a scream-fest night in night of self-inflicting terror in the building. Twenty minutes of watching make-upped, blonde Kentuckian teenagers scream and run around a dark building? Yep, bring on the Advil. The link doesn't seem to be working, but the website says you can watch the video here.
However the third video followed the newer TV show TAPS, a group of plumbers-turned-paranormal investigators as they spent a weekend investigating Waverly. Although the premise is ridiculous, this was a well-done piece that really highlighted some of the best parts of the building. My favorite clip from this episode is when they were doing a thermal scan of a hallway that is frequented by a young boy apparition, and you can CLEARLY see a pair of legs run across the hallway. No-joke. THAT got me excited to go into the building.
At the completion of the videos, we were split up into two groups, and each given a tour-guide, and our 90-minute paranormal investigation began. We. were. pumped.
The first stop was the "body chute"; which the website had claimed we were not allowed to enter, but our guide was being "the cool guide" and letting us go down. The skivvy: at the peak of tuberculosis at the facility, people were dying by the hour, and they felt that the constant flow of dead bodies past the patients would demoralize them (if having tuberculosis didn't suck enough). So they build a cement chute at the back of the building, which bodies could be discretely slid down inside to the bottom of the hill where the hearse was waiting - seemingly
~100 yards. However, sometimes there were just too many deaths and unclaimed bodies, so there is a mass-grave hidden somewhere nearby, which our guide would not reveal the location of. Bring on the eerie.
The chute was creepy, cold, and of course dark. I had no problem with walking down all the stairs (even on what I would find out later to be a sprained ankle), but was uncomfortable coming back up. Allison and I were the last to come out of the shoot, and I had the haunting feeling that we were being followed. We both refused to look back, and I snapped pictures over my head back down the tunnel as Allison shined her light behind us, as scary things stay away from light.
We then entered the building. I think what really made the tour worthwhile is we simply had a GREAT tour guide. He was patient in his story telling, believed his own stories, and had great set-ups. I can't tell you how many times he would shuffle us all into a pitch black room and say something like, "ok, now that you're all in here, let me tell you how many people died in this tiny room...."
Allison, Ashley, Andrew, and I (sorry, NOT an A-name) had created code-names for the night, as our paranormal investigator titles. Allison = The Lady in White, Me = Ecto 1, Ashley = Dr. Snakebite, and the last one escapes me. But our cutsiness ended quickly, as we had to remain silent for most of the trip, and our flashlights could only be turned on in the stairwells. Although cameras with flashes were permitted, we had to say "flash" every time before a picture, so everyone around us could close their eyes. Everyone hated me, I think......
The building was fantastically creepy, with Tim Burton painted all up and down the hallways. Abandoned hospital bedrooms, wind-whistling hallways with windows blown out, and never ending stairwells set a brilliant air of quiet haunting. We were taken down countless corridors and abandoned rooms, and told story after story of paranormal activities - from ghostly visions to playing catch with an unseen ghostly child. Stories of a homeless man and his dog found at the bottom of an elevator shaft in the abandoned sanatorium, and a hung nurse during its hey-day made the group grow quieter, and our friends grow closer. Two stories only really caught my unwavering (yup, that's a pun) attention.
1. Our guide was telling us stories of trespassing on the property, and how it used to be ~500 people a week would get inside, and now they have it down to around 20. He told us a story of one night they heard screams coming from inside Waverly, and knew that some trespassers had seen something that scared them, and were panicking. He and a couple of the staff went to the center of the building inside to hear where the screams were coming from, and located them on the (insert scariest floor in the building here). They went to the stairwell, and found three 16-17 year old boys pounding on the other side of an iron door. A small 1' x 1' window was slid open in the door, and the boys were screaming and crying, pleading to be let out. They kept yelling things like, "they won't let us out, they won't let us out!" Finally, the door fell open and the three boys fell to the floor in the stairwell, their pants covered in urine. One boy held a hatchet, which he had been hacking at the door with to break open. However, there are no locks on this door. Three late-teenage boys scared into urinating themselves, trapped behind an unlockable door, and trying to chop it down with a hatchet? They never said what they saw.
2. We then went through that door. I'll simply try and repeat the best I can what our guide said to us. "This is the most serious floor in the building. I know some of you have been wandering off and looking in other rooms, but not on this floor. On this floor, we stick together. If I catch you wandering off, your tour is over. This floor scares me. On this floor we have "Big Black." Big Black is one of the only physical apparitions in the building, and he is exactly what his name describes. One time I was giving this tour, and when I finished his story, Big Black hit me in the chest so hard that my breath was knocked out of me and I stumbled back (our guide was not a little guy). Another time, we heard a thud so loud that it sounded like a wall had fallen down on this floor. The tour group scanned the floor and found nothing. I came back the next day with the team, and we found no structural damage anywhere in the building. Anything that big and that strong that can shake a concrete floor, can hit hard. We stay together here."
Yeah, the crap was now officially scared out of me. Our group was divided into two, and we went down opposite ends of the hallways. Our new guides, who had been at the back of the group making sure we all got through the doorways, told us about "shadow people." Shadow people are the outlines of people that appear in darker parts of the building, and are most activated by a real body being nearby (I know, this KINDA sounds to me like just a "shadow" too, but I wanted to believe). So, with our group clustered around the end of the hallway, our guide asked for a volunteer to walk ~50 feet alone down the hallway with their arms out so we could watch the shadow people around them. Andrew, the other guy from our group, went first as he's "never been scared." He strolled down the hallway with a bit of a swagger, while some of the group members oo'ed and aw'ed at the shadow people running around him. I'm not going to lie, I saw diddly-nothing. So when they asked for a third volunteer, I thought to myself when am I ever coming back here, and I stepped forward.
I later found out Allison hated me for doing this, putting myself in apparitional danger. So as I strolled off down the hallway in the pitch black (and my sight's not that great in the dark), the guide said, "if you look out of you peripheral vision, you'll see some crazy things." Thanks guide, thanks. That's awesome. I followed her instruction, and just saw eerie abandoned hospital room after each other, until she forcefully said, "stop!" I had only made it about 1/2 of what the others had walked, and I could barely make out her mumbles and whispers to the group behind me. I was in complete darkness, and all I could hear was their whispers, and then Allison's gasp. "What!?" I exclaimed, and the guide responded by saying, "Um, you can come back now. Yup, just turn around and come back." I hauled it back to them, to where Allison gave me a big hug. A majority of the group looked at me wide eyed, and we were quickly escorted out of the hallway. "What happened?" I asked Allison. "When you got to the end of the hallway, a see-through-like mist, white, a little taller than you, appeared over your shoulder, then followed you back halfway," she replied. "Really?" I asked, "I didn't see a thing!" "Did you feel anything?" she asked, in seriousness. "Fear," I responded, in a half-mocking manner.
Did a ghost really follow me down the hallway of an abandoned sanatorium? I have no idea, and I have more doubts than the stock market has failures. But it was exciting, fun, and got my heart racing - exactly what I had been counting on. They offer group rates - 10 or more people, and you can stay the night in the building without any help from the paranormal team. When we found out this fact, Allison turned to me and said, "we are SO doing that for my birthday!" Never a dull moment my friends, never a dull moment.....